On set with Sofie Grabol

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She would have to be in the make-up chair by 6am and would gallop through her scenes so that she could rush back to her flat in time to relieve whichever grandparent was looking after her two small children, Bror and Gudrun — then aged three and five. Sofie Gråbøl n'avait pas trop d'expérience et n'a jamais fait de , mais elle a réussi à se faire connaître au grâce à Barndommens gade, un film danois de 1986 inspiré du roman de. It was originally intended that Sarah Lund should die but this was changed half way through the series.

About time too, says Sofie. Gråbøl was diagnosed with breast cancer in December 2012 for which she underwent surgery and chemotherapy.

On set with Sofie Grabol

The Danish accent always sounds on the verge of tears to my ear. She sips her soup. Gråbøl, 43, grew up on the outskirts of Copenhagen with a left-wing mother, an older brother, and, she says, no ambitions at all. Instead of punishing him, her stepfather called a meeting. Sofie never opened the jar. It was good and bad for me — on one hand, it made me very independent. On the other, it was quite... I had two or three meetings with the director, and then with Donald Sutherland, who was playing Gauguin, but no acting, no screen testing. I got the part. Then I got another part, and suddenly I was an actor. It sets the creativity free. I like doing things myself. I have no agent, no cleaner. I like to be in charge. But that was one of my wishes to the writer — that she should be held back, unable to communicate. She has a special glow. Sarah Lund, in spite of her own problems, is a torch shining through a sinister situation. She wore lots of make-up, a short skirt, long blonde hair. That set my mind free. I thought: Why would you choose a line of work that deals with the most horrifying aspects of human nature? It must be because you have a lot of darkness in you. My son got to meet Donald Duck, but I get Sarah Lund! I have great affection for it, though, because it tells so many stories. The Killing, with its drawn-out murder investigation and panning shots of rainy forests, tells a very different story. She smiles and wrinkles her brow. I think a lot.

The Scotsman, Weekendife, Features. Retrieved April 5, 2012. The series was a huge success in Denmark with over half the population watching. Cette section est vide, insuffisamment détaillée ou incomplète. Gråbøl divorced her husband the film director Jacob Thuesen in 2006 and has two children by him, a son Bror who was 10 and a daughter Gudrun who was 13 years old in July 2014. She fought this plot line, explaining that Lund was a female and it was removed. Though she does, she admits, still keep her collection of Faroe Isle jumpers on the top shelf of her closet. Retrieved April 10, 2012. Producers of the show envisioned breaking the clichés of female characters usually portrayed on television and film. Lund was to be a driven and relentless detective without her primary concern being for her physical appearance or sexuality. Forbrydelsen played on BBC4 with great success winning a BAFTA award and bringing Gråbøl celebrity status in the UK. I got the part.